How to hold

The Weight of Waiting

15 Jun 2022 – 2 Jul 2022
Rubicon ARI

List of work

Visit

Opening: Wednesday 15 June, 6-8 pm

Visit: Wednesday 15 June – Saturday 1 July 2022

Conversation with the artist: Saturday 18 June & Saturday 2 July (last day), 2 – 4 pm.

Gallery: Rubicon ARI, 1/309 Queensberry St, Melbourne, Wednesday – Saturday 12 – 5 pm, www.rubiconari.com.au

Statement

Baskets hold, gather and store; their utility is enriched by their ease and fit the human body as they assist in the labour of carrying. Skilled hands are required to craft a basket form, often with make-do, natural materials. In this new work, Phelan has merged techniques from her academic studies in ceramic with her lifetime of textile knowledge gathered whilst yarning and watching her mother’s hands make, in pandemic online workshops and alongside Yolngu and Gunaikurnai women.

Cloth and clay are both malleable materials requiring repeated actions and time to generate form. Combining coiled and pinched clay with twined and braided textiles reclaimed from cast-off family clothes, record the hours of making whilst tracing the action of the maker’s hand. Assembled and stand-alone sculptures are characterised by a relationship between materiality and form, bringing together clay and textile with interdependence on the site of making and the affect of being in the world.

In The Weight of Waiting, Phelan’s world of waiting depicts her identity as a mother and artist with the ebb and flowing demands of caring. Her making was also influenced by the long shadow cast by Melbourne’s two lockdown periods where the confines of the home became the site of making and a necessary source of material. These intimate assemblages compress care, repetition, tacit knowledge, and time into their generation.

The Weight of Waiting continues Phelan’s process-driven practice which investigates the generative and transformative potential of pliable materials and their capacity to suggest meaning beyond themselves – poetic, cultural, social, and as keepers of time.

Acknowledgement & thanks

In making this work Phelan wishes to acknowledge the traditional and ongoing skills of Julianne Gitjpulu, Yolngu women from Mapuru, Arnhem Land who shared her knowledge with the artist during a weaving workshop in 2019.

Phelan also acknowledges Kylie who shared her weaving knowledge on a Gunaikurnai Country during the summers of 2013 and 2017.

Acknowledgment of weaver/maker Ilka White who works in Djaara Country home of the Dja Dja Wurrung.

The artist acknowledges that she stands on the shoulders of generations of ceramicists who generously share their knowledge. Thank you to her colleagues at RMIT University for their considerable encouragement and support.

Thank you to her local community who supported her during multiple quarantines and lockdowns, supplying sustenance in so many ways and in particular the materials that inspired this exhibition.

Final and warmest thank you to her family Peter, Otto, and Hugo for every and all things; always.

Phelan lives and makes on unceded Wurundjeri Country and pays her respects to Boon Wurrung Elders who care for this land.

Artworks in Exhibition

Phealn_How to_2021
How to hold, how to carry, how to care
2022
w0w_1
Weight of Waiting Room 1
2022
w0w_13
Weight of Waiting Room 2
2022
w0w-Street Window Installation
Weight of Waiting Street View
2022

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